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Add Dolly Parton to the listing of thousands and thousands who’re eager to listen to Beyoncé’s Renaissance Act II.
The nation legend and Rock Corridor-inductee is, it seems, a fully-paid-up member of the BeyHive, and thrilled with Beyonce’s latest record-setting feats.
This week, Beyonce made her debut on Billboard’s streaming-, airplay- and sales-based Sizzling Nation Songs chart (dated Feb. 24) together with her first two entries on the survey: “Texas Maintain ‘Em” at No. 1 and “16 Carriages” at No. 9.
With “Texas Maintain ‘Em,” she turns into the primary Black lady, or feminine identified to be biracial, to have topped the Sizzling Nation Songs tally.
The information don’t finish there. Beyoncé makes historical past as the primary lady to have topped each Sizzling Nation Songs and Sizzling R&B/Hip-Hop Songs for the reason that lists started as all-encompassing style tune charts in October 1958.
None of it has bypassed Dolly. “I’m an enormous fan of Beyonce and really excited that she’s completed a rustic album,” writes Parton on social media. “So congratulations in your Billboard Sizzling Nation primary single. Can’t wait to listen to the complete album!”
That album is Renaissance Act II, due out March 29.
As soon as it arrives, Act II will mark Bey’s eighth studio document. It’ll additionally vie to develop into her eighth straight No. 1 album on the Billboard 200, as all seven of her earlier LPs have debuted atop the chart — from 2003’s Dangerously in Love to Renaissance, her most up-to-date effort from 2022.
As beforehand reported, “Texas Maintain ‘Em” and “16 Carriages” begin at Nos. 2 and 38, respectively, on the all-genre Billboard Sizzling 100. “Texas Maintain ‘Em,” in the meantime, is projected to steer the Official U.Okay. Singles Chart, having topped the midweek survey. If “Texas Maintain ‘Em” performs its playing cards proper when the nationwide chart is printed late Friday (Feb. 23), Bey will bag a sixth U.Okay. solo No. 1 single.
Each cuts had been launched Feb. 11, as introduced in a Verizon industrial that aired throughout CBS’ broadcast of Tremendous Bowl LVIII, forward of the brand new album launch.
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